Showing posts with label ian mcewan. Show all posts
Showing posts with label ian mcewan. Show all posts

Sunday, November 15, 2020

The Innocent by Ian McEwan

The Innocent by Ian McEwan is a spy novel. It's a love story. It's not a whodunnit, but it is a who did what. It's also a tour of 1950s Berlin. Getting tied up in labeling genres becomes a pointless exercise, when it is far easier to state that this book is a novel. And this label denotes something much broader, deeper and certainly less predictable that any genre placement. When an author writes a novel, the imagination involved can take the book, its characters, the writer and then the reader along any path, towards any subject. Like the writer, a character need not feel duty bound to spend every waking hour in pursuit of a linear plot to ensure it reaches some endpoint. Life, like experience, itself, is not like that. No matter how focused we may become on any activity, consciousness always presents us with a jumble of stimuli and experiences. We may select  what we choose to see, to hear or to acknowledge, but the rest is always there, intruding. And for The Innocent of Ian McEwan's novel life takes numerous unforeseen turns, despite having started in a form that for most people would itself be a very special starting point.

The principal character is a telephone engineer-cum-electronics whizz-kid. But we are in the 1950s, when such things still relied on old fashioned telephones, cables and, crucially, tape recorders. This last ingredient gives away the fact that the novel is set in the permanent spying of the Cold War and this is also spiced by the setting near the division in Berlin between East and West, between a British-American capitalist enterprise and Soviet communist experiment. The plan is to tunnel as far as a run of cables on the other side, listen in and then analyse the recorded communications. Our lad from Dollis Hill in London has not only been trained for such work, but has a reputation for being something of a genius of the genre.

But like most lads, he likes a drink and, though he is far from experienced with women, he is also capable of falling for a woman. He, of course, does just that. She is German, older than him and more experienced. An essential art of Ian McEwan's book is the way these lovers discover how to be with one another from their individually different starting points.

Unfortunately, she is married, and the husband, who is still current and not former, is a tough guy who drinks a lot and doesn't look after himself. He unfortunately can look after himself and is well known for doing just that.

It has to be recalled that Ian McEwan's nickname at the start of his career was Ian Macabre, and The Innocent does not disappoint. The triangle works itself out and becomes at least a quadrilateral when an apex is deleted only to be replaced by others.