Occasionally
a reader chances on a real discovery. A few rupees to spare in Colombo
International Airport in Sri Lanka prompted the purchase of a few books by
local authors. Travel, if undertaken with interest in the world rather than the
self, has cultural immersion and experience as a requirement. Foods, art,
history, religions, cultures and music are all on the list, but literature and
writing must also figure. What a reader would not predict from a cover that
featured bananas and little else would be the fact that this set of short
stories would prove to be nothing less than a revelation sufficient to deserve
the description of “masterpiece”.
The
Banana Tree Crisis by Insankya Kodithuwakku is the book in question. It
features seven short stories running to a total of around fifty thousand words,
so is short enough for the traveller to consume before the west-bound aircraft
out of Colombo even reaches Doha. But do not think that this implies something
slight. On the contrary, the subject matter of these stories gets right to the
heart of the social structure of Sri Lanka, its political and religious
conflicts, its war, its highly unequal society, even its often fractious
relationship with Britain, its former colonial master.
These
stories address many issues and illustrate many arguments, but do not think for
a moment that they are in any way didactic or heavy. The reality is quite the
opposite, in that the writing style is sophisticatedly simple and transparent,
the plots deceptively straightforward in their ability to convey complication
with superb empathy. There is the Hindu-Buddhist-Muslim triangle, the
Sinhalese-Tamil war, relations between the sexes and the generations,
devastation by a Tsunami, the effects, intended and otherwise, of foreign aid,
and even cricket. Anyone who has visited Sri Lanka will marvel at the
brilliance with which these contexts are woven deftly into the tales of
ordinary folk. A reader who has never been to this beautiful, troubled,
welcoming and often frenetic island might even feel that these stories were the
same as a visit, so vivid are the descriptions and so apparently real the
scenarios. We even have a government minister being pushed though a crowd by
the driver of his four-wheel SUV. Anyone who has visited Sri Lanka will
recognise the requirement to get off the road. The reason, by the way, why
minsters’ convoys behave so boorishly in traffic, is that they assume that
bombs are never far away.
If
this set of stories, The Banana Tree Crisis by Insankya Kodithuwakku, contained
only The House in Jaffna, it would still be worth buying, just for those twenty
pages. In just a few thousand words, Insankya Kodithuwakku addresses
inter-generational and cross-cultural differences, captialism’s empty
consumerism that sees personality as merely the sum of consumption, the nature
of nostalgia, the Tamil-Sinhalese conflict, the fate of Jaffna and, overall,
the appreciation of life being a process of change. It is nothing less than a
masterpiece of the genre.
And
Insankya Kodithuwakku’s writing style is always beautifully transparent, always
engaging and regularly surprising throughout this set of stories. Insankya
Kodithuwakku certainly displays a great talent. If you know Sri Lanka, you will
adore these stories. If you have never been, then they will take you there for
an authentic, enlightening and thoroughly entertaining visit. Please do read
The Banana Tree Crisis by Insankya Kodithuwakku.
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